The Strange Attractor: New and Selected Poems

The Strange Attractor 300x191

Published by: Louisiana State University Press (Paperback 2004)
The Strange Attractor at LSU Press
The Strange Attractor at Bookshop.org
The Strange Attractor at Amazon

Published by: Louisiana State University Press (Hardcover 2004)
The Strange Attractor at Amazon

 

Included poems:

Under Cover
Fasting
Triolet
Natural Radio
Wrecking Bar
Funny Books
Family
Signal Corps
Legends
The Strange Attractor
Time's Music
Trophy
Rhymer Spring
Church Dust
High Country
From a Cliff
Water Tanks
Beginning
Elegy
Zirconia
Prayer Meeting
Long Beach
Cellar
Resin
White Pines
Hog-wire Fence
Whippoorwill
Exhaustion
Toolshed
Cedar
Bees Awater
Double Springs
Roost Tree
Face
Pumpkin
Compass
Land Diving
Paradise's Fool
Mockingbird
Mountain Bride
Death Crown
Canning Time
Bean Money
Wallowing
Bricking the Church
Burning the Hornet's Nest
Zircon Pit
Secret Pleasures
Passenger Pigeons
Horace Kephart
Buffalo Trace
White Autumn
Yellow
Manure Pile
Lightning Bug
Radio
The Gift of Tongues
Bellrope
Uncle Robert
Chant Royal
Firecrackers at Christmas
Man and Machine
Field Theory
Sigodlin
Audubon's Flute
Inertia
Odometer
Rearview Mirror
Vietnam War Memorial
Mountain Graveyard
Heaven
Sidney Lanier Dies at Tryon 1881
Writing Spider
The Body of Elisha Mitchell
Shaking
The Way Back
When He Spoke Out of the Dark
Ghosts in the Carpet
We Are the Dream of Jefferson
Appleglow
Earache
Subduction
Topsoil Road
Wild Peavines
Squatting
Care
Mowing
Polishing the Silver
Family Bible
Chicken Scratches
Harvest Sink
History's Madrigal
The Grain of Sound
Honey
June Bug

 

Related media:

Double Springs (poem)

Mountain Bride (poem)

Uncle Robert (poem)

Man and Machine (poem)

Sigodlin (poem)

Audubon's Flute (poem)

Rearview Mirror (poem)

Wild Peavines (poem)

History's Madrigal (poem)

The Grain of Sound (poem)

Honey (poem)

 

Praise for The Strange Attractor: New and Selected Poems:

One of Robert Morgan's chief claims on our attention is the backbone he puts into the backcountry lore that grounds his work, the stately proprieties and meditative gravity he hews out of the hardscrabble folkways of his native Blue Ridge Mountains... His is a fine-grained, self-implicating intelligence that can span the intricacies of both pine resin and pantoums.

— Poetry
. . .

Morgan has contributed so much to the health of southern poetry over the last thirty-five years that the southerness of his work is axiomatic... [His] reputation is made, in no small part, on the strength of his ear, with which he has produced some of the most sonorous poems in the language.

— North Carolina Literary Review
. . .

It is such a pleasure to rest on the fertile banks of [Morgan's] imagination, engaged by a steady current of haunting images and carefully chiseled phrases, that when the final poems comes, the reader feels as if the power company dammed the Green River without putting it to a vote.

— Southern Humanities Review
. . .

If you grew up in the country or feel an affinity for the mountains, Morgan's [work] will bring you home again; if not, here is an authentic tour of the region.

— Sandlapper
. . .

 

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