There is comfort and humor in Morgan's evocation of country people trying to survive.

Reminiscent of James Dickey- bearing the same naturalistic marks of clear, clean prose and often disturbing imagery... Morgan casts a stark story peopled with real, believable, and honest characters.

Robert Morgan's poems are always exciting for their precise knowledge of country things, and of how things go in the world of natural fact and process. This new collection gives us also some delightful lore from the Southern mountains: we learn of the horse fiddle, and holy cussing, and the intrepid pastor who held off bear or panther with his umbrella.

Robert Morgan has a rare and cunning gift: he can sift through the detritus of the past, pluck objects and images from his memory (especially his childhood) and elevate them to the point where they become -- in the sense that Campbell used the word -- 'numinous.'

Morgan has contributed so much to the health of southern poetry over the last thirty-five years that the southerness of his work is axiomatic... [His] reputation is made, in no small part, on the strength of his ear, with which he has produced some of the most sonorous poems in the language.