In the Snowbird Mountains and Other Stories

Robert Morgan's lyric mountain language is equal to the epic sweep of history, to the grandeur of the land itself.

Morgan has contributed so much to the health of southern poetry over the last thirty-five years that the southerness of his work is axiomatic... [His] reputation is made, in no small part, on the strength of his ear, with which he has produced some of the most sonorous poems in the language.

It is such a pleasure to rest on the fertile banks of [Morgan's] imagination, engaged by a steady current of haunting images and carefully chiseled phrases, that when the final poems comes, the reader feels as if the power company dammed the Green River without putting it to a vote.